Without Sound, There’s No Emotion

Oct 18, 2020 by Josep M. Blasco

History tells us that cinema and the language of audiovisual media began as a purely visual experience.

The first films were, as we now call them, silent. However, even though viewers couldn’t hear the sounds of what they were seeing, they could likely “hear” them in their minds. 

They could imagine the roar of a locomotive pulling into a station, the melody of music as people danced, or the sound of laughter from someone on screen.

It’s worth noting that for all its “silence”, cinema was rarely ever truly quiet. As early as 1897, just two years after their first screening, the Lumière brothers hired a saxophone quartet to accompany the cinematograph sessions at their Paris venue. The truth is that sometimes—often, in fact—an image lacks meaning, lacks emotion, without sound.

audio emociones

An audiovisual product aims to create an immersive experience for the viewer, one that is built on their perception of the world. In this experience, sound is fundamental.

Sound helps us understand our surroundings, and this is where emotion comes into play. The cry of a newborn baby, the meow of a cat or the whimper of a dog, the melody of a song or the theme from our favourite show. These are all sounds that evoke emotions, feelings, and sensations.

Conversely, the screech of a fork on a plate or fresh chalk on a blackboard, the noise of someone chewing beside you, or the wail of a nearby ambulance siren are sounds that can be intensely unpleasant. In the case of sirens, they can even approach the threshold of pain.

And just as silent film viewers heard sounds in their heads, the process works in reverse: hearing a sound often causes our mind to associate it with an image.

Sound connects with our brain on deep levels in ways that are still not scientifically clear. Phenomena like ASMR or misophonia (unpleasant reactions to certain sounds) are rooted in this reflexive response to specific auditory stimuli.

However, these connections remain a mystery to science. There are studies on the subject, but no specific map of how it all works. A song, a melody, or a simple sound can change your state of mind. This, for example, is the foundation of music therapy.

Something similar occurs in the phenomenon of synesthesia, where some people associate colours, or even tastes, with certain sounds. Sound is everywhere: from the relaxing music in lifts and waiting rooms to warning sirens, beeps, and alarms on our devices. Nearly every scene in our daily lives is accompanied by sound. Everything has its own sound.

Imagen de J. DEMSKY

Sound Makes It Real

Therefore, sound in audiovisual language is far from unimportant, as it helps to expand expressiveness, sometimes exponentially. In the field of Motion Graphics, for example, pairing an animation with good audio gives it life, character, and a three-dimensionality that more effectively commands the viewer’s attention. The experience becomes complete and immersive. It gains emotion.

In short, whether we realize it consciously or not, sound is emotion—and emotions are what we remember most. It is emotions that mark the difference between a routine experience and a truly special one.

In the same way that a scent can trigger a memory, so too can a sound. And it is this sensory and emotional dimension that creators in the audiovisual world must never underestimate or forget.

Josep M. Blasco

Sound specialist and teacher on the Motion Graphics Master’s Degree at SHIFTA.

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